The core members of Skipping Stones Theatre are New Generation Artists who met while earning their undergraduate degrees at the University of Windsor and have been working steadily together since. We integrate our mandates into our practice and facilitate opportunities for Feminist, Queer, and Mad artists to share their stories and perspectives.
Kate identifies as a Mad (Bipolar Disorder 1) and Queer actor, theatre artist, and producer who earned her BFA in Acting from the University of Windsor. She received a nomination for a Critic's Pick Award from My Entertainment World for Outstanding Lead Performance in a Play (Independent) for her work in Hamlet(s) produced by Skipping Stones Theatre and won the 2019 BroadwayWorld Toronto Award for Best Performance by a Female in a Featured Role (Play-Equity) for her work in Bygone Theatre's production of The Rear Window. She is a participant of the 2019/2020 Nightwood Young Innovators Program and believes that being an artist can involve building skills across the board. Kate finds great satisfaction working on the technical/design aspects of theatre as well as performance. She is constantly searching for growth as an artist, and is dedicated to producing professional, exciting work.
Selected Acting Credits: A Midsummer Night's Dream, Gorboduc, The Changeling (Shakespeare BASH'd); Romeo and Juliet, Twelfth Night, As You Like It (a Company of Fools); The Rear Window (Bygone Theatre); Hamlet(s), Laughing Wild, Coriolanus, 4.48 Psychosis (Skipping Stones Theatre); The Tom and Gertie Letters Project (Springworks Festival); Room For Failure, Richard III (Wolf Manor Theatre Collective); Shakespeare in Hospitals 2015, 2019(Spur-of-the-Moment Shakespeare).
Photo by Mike Russell
Sean has been writing and directing theatre in Toronto since returning from his M.F.A. abroad in Theatre Directing at East 15 Acting School in London, U.K. Most of his work has been under the banner of Skipping Stones Theatre. Through Skipping Stones he’s directed 4.48 Psychosis, Coriolanus, and Hamlet(s). He also wrote Moral Deficit, adapted from a draft play by Umed Abdullah. Elsewhere he’s directed Living with Olivia Cadence Donovan (Redwit Theatre). He's directed at two seasons of the Newmarket National Play Festival and at Inspirato 2019 in Toronto. He holds a B.F.A. in Acting from the University of Windsor and has trained an GITIS in Russia and has studed with I Nyoman Sedana at Isi Denpassar in Bali.
Breanna is an actor, singer and theatre creator based in Toronto. Breanna holds a BFA in acting from the University of Windsor and an MFA in acting from East 15 Acting School (United Kingdom). Breanna has trained internationally and collaborated with artists of the Moscow Art Theatre School (MXAT) in Russia and the Globe Theatre in London, UK. Since returning to Toronto, Breanna has continued to create, devise and write plays from the feminist perspective. Breanna’s most recent one-act play, Cooking for Grief, was developed with Feminista, a writing unit based in Hamilton that welcomes artists who identify as female and non-binary. Select theatre credits include: Lizzie Cratchit in The Christmas Carol, Charlotte in Ether (White Mills Theatre Co.); Crispinella in The Dutch Courtesan (Poculi Ludique Societas); Ophelia in Hamlet(s), Valeria in Coriolanus and Woman in 4.48 Psychosis (Skipping Stones Theatre), B in Crave (Pure Carbon Theatre), Kay in The Night Watch (Tristan Bates Theatre), George in The Tinderbox (East 15 Acting School) and Juliet in Romeo and Juliet (Globe Theatre/Globe Education).
Photo by Brendee Green